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Since the 1950s, when short but fast players had a chance of making it onto a professional court – such as the legendary Bob Cousy of the Boston Celtics, known for startling innovations like dribbling and passing behind the back – the sport has been dominated by ever taller athletes, starting with the arrival of Wilt, The Stilt, Chamberlain.

Now, The National Basketball Association has come to realize that the trend to tall has demoralized people of who fall within the usual range of human height and that it has positively devastated short people.

Compared to the slam-dunking ways of the seven footers, these distressed athletes just can’t get people interested in watching them hoop it up. As a result, interest in the game as a participation sport has waned, and the association is concerned that, as fewer people work up their excitement about playing it, fewer of them will pay to see it.

In an effort to return basketball to the widely poplar place it held in the minds and hearts of the American public before it became the exclusive province of players whose mothers are suspected of stretching them as infants, the association is considering legitimizing a court just for people of average height, with a special accommodation for shorter people. The basic plan calls for the basket to be lowered by one foot for players from 5’ 6” to 6’ 6” and two feet for people who are even shorter but still imagine slam-dunking the ball and hanging from the hoop in a celebratory manner.
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Baby boomers, who exercise more than any generation before them, have been flocking to orthopedic surgeons to tend to their aching tendons and joints.

As news of the growing need for surgical intervention spread, a number of boomers have found the willpower to moderate the intensity of their workout routines.

Personal experience has also confirmed the wisdom of moderation. For example, one inveterate marathoner was shocked by the surprising perception that there were not a lot of senior citizens dashing across the finish line in the New York Marathon.

He began to wonder if at a certain age less strenuous activity might actually be, not only the better part of healthcare, but all that’s generally possible. He also began to ask himself if seniors who persisted in intense physical challenges like the marathon were absent at or near the finish line because they literally dropped by the wayside. He dismissed that possibility, because it really brought into question his hope for up-to-the-last-minute youth.

He shared the possible advisability of moderation with a fellow boomer, who happened to be his girlfriend. She agreed to take it into consideration but required proof of the astonishing comeuppance. So, while working out at her gym, she looked around and noticed, to her amazement, that there were not a lot of seniors sweating along with her, especially on the running track and in the weight room.
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An American avant garde composer, who takes his inspiration from the most upstart composers of recent times, had a piece performed last night at Carnegie Hall, titled “Making Popcorn.”

The Boston Pops Orchestra, which commissioned the piece, left the stage to make way for the performance.

Stagehands then wheeled out a popcorn-making machine and prepared it for the performance by filling it with dry corn, butter, and salt.

When the machine was “tuned,” the composer entered to conduct his own work. Taking the podium, he raised his baton and the machine was switched on. When the first kernel popped, he gave a firm downbeat and then continued to conduct as the kernels popped away. The piece concluded when all the popcorn had contributed its sound.

In an interview prior to the concert, the composer told us, “It’s a new piece for percussion. As you know, there have been more additions to the percussion of the orchestra than to any other one. Take, for instance, the brake drum and the ratchet, which is really just a noisemaker. My hope is that the success of my new piece will make the popcorn machine a standard ingredient of the symphony orchestra.”
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A federal audit on the spending proclivities of people who were issued debit cards by FEMA during the Katrina disaster indicates that some of them were swimming in champagne – and good stuff, too.

Among the survival rations that were purchased, we find a $200 bottle of champagne, used as a life-saving device at the hurricane shelter known as Hooters. The establishment, upon hearing of the purchase, has nobly agreed to refund the amount to FEMA.

Other items that emergency cards were used to purchase are the following:

A flotation device of questionable effect, called diamond jewelry.

An escape route from the rising waters to a vacation in the Dominican Republic.

Salvation from a divorce lawyer by paying off a $1,000 legal bill.

Drying out at a strip club, where the recuperative process required $600.

Recuperation with $400 of “adult erotica products.”

The auditors concluded that such purchases were “not necessary to satisfy legitimate disaster needs.”
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